System of a Down - Hypnotize

ALBUM REVIEW
You may remember me mentioning that SOAD's last album was the first part of a planned staggered release of a double album. You may also recall that I felt that the last album was a bit erratic, and hoped this this one would cement things, and bring it all together.
Boy, was I wrong.
It turns out the first album, Mezmerize, was the more cohesive of the two, and what we get on Hypnotize sounds a bit like leftovers to me. Like song ideas, and brainstorms that needed a lot more studio time to flesh out and turn into real songs. It sounds like a step back, all the way back to their first album and some of the misses on that.
Gone away are the endearing elements and pounding rock, and we have the screechy weirdness cranked up high instead. Did I mention that the politics are on steroids this time around too?
No sense in sugar-coating it. We might as well get started.
We jump in with a flurry of guitar speed, and bombast with "Attack". If you took out the unvarying chorus, this would actually be a pretty good song. As it is, it sort of sounds like a kid with a new word that tries to repeat it over and over just to get used to the way it sounds.
"Dreaming" is actually a very sad song about Armenian refugees. The lyrics are very dark, and the song itself sounds sort of muddled along with it. I hear the angst, but not real passion here, and that's what I expect from these guys. Sort of disappointing for me, but not nearly as bad as some we haven't gotten to yet.
Okay. "Kill Rock 'N Roll" gets some points for delivery alone. I think that guitarist Daron Malakian's homage to Bon Scott scores major points. This song's a little silly, which is definitely an element to some of SOAD's songs. It seems more like parody to me here, and leaves me wanting more. I grin, but I'm also wondering what might have been.
The title track "Hypnotize" sounds like it belongs on the last album. It's put together well, albeit on the short side, and it's a good tune. It's not great, but it's got it's own sound. It's the first single, so I'm sure you'll hear it.
"Stealing Society" starts off great. You've got nice guitars, and yells in there, and then it just loses it's steam. Bogged down with a pointless few verses, by the time you get to the "message" part of the song, you're already bored. They finally head back to the good intro riff at the end, but the bookends don't justify the tomes between.
If you thought that a song about refugees' body parts being stacked up was the most bleak point of the album, then think again. "Tentative" is another anti-war rant that has people rotting in fear of bombs dropping on their heads, and feeling that not even God can save them. Musically, I like this one though. It's quiet and reserved, and something that I really think this band should try a little more of. When they slow things down, they make some fine music, and not just another pseudo-ballad that can be used for some commercial or tribute montage or something.
With the next track, we're back to that theme of anti-war and repetitive chants. "U-Fig" is actually a pretty good song. I like the groove, and it definitely has the passion that was lacking earlier. The thing with passion is that it can be a little extreme, and since the chorus here is a call to take war supporters out in the street and " beat em' beat em' beat em' beat em' ", I'd say a lot extreme. I give my approval to the song musically, but I have to give a pass on the message of being a pacifist, and beating anyone who doesn't agree with you.
"Holy Mountains" is pretty powerful stuff. The song is grand, and sweeping, and the themes are pretty heavy too. I don't pretend to know all the casualties in Azerbaijan that they're singing about, but there's a real Old Testament feel to this one. Like the mountains themselves are crying in outrage, and calling for justice. This song is raw, and it's honest, and I don't think you're really supposed to "enjoy" it, but you can tell it's something real.
Remember that song earlier that I said was a little silly? In my opinion, if you're going to be silly, you might as well go all the way, and "Vicinity of Obscenity" goes there and then some. It's got the lightning fast guitars and vocals. It even has this porn-groove bridge. I'm not even going to try to explain it lyrically. The song starts off with "Banana banana banana terracotta banana terracott terracotta pie!" and doesn't get any more sane as it goes along. I like it, but I'm not trying to figure it out.
It's pretty clear to me that drugs have directly or indirectly affected this band. They manage to get across some message of the barren and depraved nature of what drugs can do in a few of their songs, and "She's Like Heroin" is another. This strips it down to the very basic truths. This is all dirty back-alleys, and sad endings.
My favorite song of the album is "Lonely Day". It's another good example of the good songs that these guys can make when they're not coming at you at 100 decibels and 1000 mph. It's about the struggle of loneliness, which is an epidemic in our society in my opinion. It's not completely without hope, and is seen from a survivor's viewpoint in the end.
The first album, Mezmerize, had this short, noisy intro called "Soldier Side". It was all of about 30 seconds, and amounted to little at all. To close out this album, we get the whole song. By it's title, you can tell where they're going with this one. Another grim journey down the anti-war path, with mourners and graves and lies. It's fair to middlin' musically, and makes me want to throw in another SOAD album instead.
Overall, I really think that their reach exceeded their grasp on this double-album venture. There are barely enough good songs for one album if you cull from both. Unlike the first album though, even the songs that I like on this album don't shine all that brightly. I want them to be better, but it just never happens. I'm not saying that they shouldn't be able to state their point of view in their music, but I think there may be other ways. I'm sure they felt strongly about making a bold statement, and there's no doubt that they've done that. I just don't think that most people will hear that message because the record company won't let them make those songs a single, and the fans are going to skip those tracks because they're not all that good.
I think this is the weakest of their albums to date, and I can only hope that they spend a lot of time touring and writing new material before the next one. I still really like this band, and their style of music when they nail it. I'm still looking forward to their next one, but now they have something to prove to me.
Rating = ** out of 5 stars.



